From Manawan, Élisa Moar studied photography in college. This special effect and visual editing enthusiast immerses us in strange and phantasmagoric universes. She directed her first experimental film, Marées (Tides), in 2012. She took part in a screenwriting and editing workshop at UQAM. Whenever she feels inspired, she loves to experiment in Photoshop. She participated in several film workshops and internships. In 2014, she worked as an assistant filmmaker with Wapikoni Mobile. In 2017, she added to the list of her productions a film entitled Wapikoni (Flower), a visual poem on the themes of femininity and maternity. In 2018, she penned the deeply moving personal short Kenin that embodies the #metoo movement.